Queen Mab vs. The Moon Monsters, the Musical
rating: +23+x

A tragedy in three acts.

/*
 
    Foxtrot Sigma-9 Theme
    [2022 Wikidot Theme]
    By Liryn
 
*/
 
/* FONTS */
 
@import url('https://fonts.googleapis.com/css2?family=Montserrat:ital,wght@0,800;1,800&display=swap');
 
@import url('https://fonts.googleapis.com/css2?family=Lexend:wght@700;800&display=swap');
 
@import url('https://fonts.googleapis.com/css2?family=JetBrains+Mono:ital,wght@0,400;0,700;1,400;1,700&display=swap');
 
@import url('https://fonts.googleapis.com/css2?family=Fira+Code:wght@400;700&display=swap');
 
@import url('https://fonts.googleapis.com/css2?family=Sofia+Sans:ital,wght@0,400;0,700;1,400;1,700&display=swap');
 
@import url('https://rsms.me/inter/inter.css');
 
@import url('https://fonts.googleapis.com/css2?family=Figtree:wght@800;900&display=swap');
 
@import url('https://fonts.googleapis.com/css2?family=IBM+Plex+Sans:ital,wght@0,400;0,500;0,600;0,700;1,400;1,500;1,600;1,700&display=swap');
 
/* VARIABLES */
 
:root {
 
    /* VARIABLES > Core */
 
    --header-title: "SCP Foundation";
    --header-subtitle: "SECURE, CONTAIN, PROTECT";
    --logo-img: url(https://scp-wiki.wikidot.com/local--files/theme:foxtrot/fxtrt-scp_logo_lightmode.svg);
    --darkmode-logo-img: url(https://scp-wiki.wikidot.com/local--files/theme:foxtrot/fxtrt-scp_logo_darkmode.svg);
    --logo-opacity: 14%;
 
    --head-font: 'Sans Normalcy';
    --ui-font: 'IBM Plex Sans';
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    --page-font: 'Inter', 'verdana';
    --base-font-size: 0.9rem;
    --page-font-size: 1rem;
 
    /* VARIABLES > Misc */
 
    --header-txt-color: #333333;
    --subheader-txt-color: rgb(var(--accent));
    --misc-txt-color: #464646;
    --link-txt-color: #E6283C;
    --link-hover-txt-color: white;
 
    /* VARIABLES > Color Accents */
 
    --accent: var(--acc-default);
 
    --acc-default: 59, 59, 59;
    --acc-wyoming: 142, 0, 18;
    --acc-canada: var(--acc-default);
    --acc-poland: 87, 44, 17;
    --acc-slothspit: 27, 60, 133;
    --acc-vanguard: 0, 153, 75;
    --acc-threshold: 121, 113, 130;
    --acc-overwatch: 28, 37, 56;
    --acc-spc: 0, 165, 200;
    --acc-fishing: 67, 111, 145;
    --acc-nightfall: 151, 0, 2;
    --acc-hybrasil: 27, 60, 133;
    --acc-goc: 39, 84, 149;
    --acc-spooky: 252, 112, 40;
 
    /* VARIABLES > BetterFootnotes */
 
    --fnColor: var(--link-txt-color);
    --fnLinger: 1s;
 
}
 
/* VARIABLES > Info Bar */
 
.info-container {
    --barColour: rgb(var(--accent));
    --linkColour: #EDEDED;
}
 
/* MAIN */
 
html {
    scroll-behavior: smooth;
    overflow-x: hidden;
}
 
body {
    font-family: var(--ui-font), sans-serif;
    font-size: var(--base-font-size);
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    background-image: linear-gradient(to bottom, #e0e0e0, #fff 200px);
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div#container-wrap {
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#content-wrap {
    margin: 2em auto 0;
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#page-content {
    font-family: var(--page-font), var(--ui-font), sans-serif;
    font-size: var(--page-font-size);
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#page-content strong {
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tt,
.page-source,
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ul {
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li,
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::selection {
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/* Clicky links */
a,
a.newpage,
a:visited,
#side-bar a:visited {
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a:hover,
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a {
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/* patch for sidebar media, collapsibles, ACS, info button and ayers module so link doesn't override */
#page-content .collapsible-block-folded a:hover,
#page-content .collapsible-block-unfolded-link a:hover,
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/* MAIN > Header */
 
div#header {
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#header h1 span,
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#header h1 a::before,
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#header h1 {
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div#extra-div-1 {
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#search-top-box-input,
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#search-top-box-input:focus,
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#search-top-box-form input[type=submit]:focus {
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    font-family: var(--ui-font);
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}
 
#search-top-box input.empty {
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}
 
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    top: 47px;
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}
 
/* MAIN > Header > Top Bar */
 
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#header #top-bar ul {
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/* MAIN > Header > Login Info */
 
#login-status {
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}
 
#login-status,
#login-status a {
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}
 
@media (max-width: 767px) {
    #header .printuser {
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}
 
.printuser a {
    margin: 0;
}
 
.printuser img.small {
    width: 18px;
    height: 18px;
    padding: 1px 4px 0 0;
 
    background-image: none !important;
}
 
@media (max-width: 767px) {
    #header .printuser img.small {
        transform: translate(0, 4px);
    }
}
 
#my-account {
    display: none;
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@media (max-width: 767px) {
    #account-topbutton {
        margin: 0 0 0 5px;
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}
 
/* MAIN > Header > Side Bar */
 
#top-bar .open-menu a {
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    background: rgb(var(--accent));
    color: white;
}
 
#side-bar {
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}
 
@media (min-width: 768px) {
 
    #side-bar {
        padding: 0.3em 0.6em 0 0.6em;
        width: 18.75em;
        transition: left 0.2s ease-in-out;
        direction: rtl;
        text-align: left;
        border-right: none;
    }
 
}
 
#side-bar .side-block,
#side-bar .side-block.resources,
#side-bar .side-block.media,
#interwiki .side-block {
    border: 2px solid rgba(0, 0, 0, 0.2);
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    box-shadow: none;
    margin-bottom: 6px;
    direction: ltr;
    background: transparent;
}
 
#side-bar .side-block.resources {
    text-align: center;
}
 
#side-bar .heading {
    color: var(--misc-txt-color);
    border-bottom: solid 2px #cfcfcf;
    font-size: 9pt;
    font-family: var(--head-font);
    font-weight: 800;
    text-transform: uppercase;
}
 
/* CONTENT */
 
/* CONTENT > Blockquotes, Custom Divs */
 
.blockquote,
div.blockquote,
blockquote {
    border: solid 2px rgba(0, 0, 0, 0.15);
    background: #f7f7f7;
}
 
.jotting {
    padding: 1.3em;
    margin: 1em 4.5em;
    border: dashed 2px rgba(0, 0, 0, 0.2);
    background: #f7f7f7;
}
 
.notation {
    padding: 1em 1.5em;
    margin: 1em 3em;
    border-left: solid 3px rgba(0, 0, 0, 0.35);
    border-right: solid 3px rgba(0, 0, 0, 0.35);
    background: #f7f7f7;
}
 
.modal {
    padding: 1.2em;
    margin: 1em 3em;
    border: solid 5px rgba(0, 0, 0, 0.15);
    background: #fbfbfb;
}
 
.quote {
    padding: 0.4em 2em;
    margin: 3em auto;
    border-left: solid 3px #bbb;
    max-width: 500px !important;
}
 
.paper {
    padding: 1.5em;
    margin: 2em;
    background: #FFF;
    box-shadow: 0px 4px 9px rgba(0, 0, 0, 0.2);
}
 
.box {
    padding: 1px 9px;
    border: solid 3px #bbb;
    margin: 0.5em 1em;
}
 
div.note {
    font-size: unset;
    border: 2px solid #afafaf;
    background-color: #fff;
}
 
.round {
    border-radius: 10px;
}
 
/* CONTENT > Headings, Titles */
 
#page-title,
.meta-title {
    font-family: var(--ui-font), sans-serif;
    font-weight: 800;
    color: #3b3b3b;
    border-bottom: solid 2px rgba(0, 0, 0, 0.2);
    width: fit-content;
    margin: 0 auto 1.5rem;
}
 
#page-title,
.meta-title,
#breadcrumbs,
.pseudocrumbs {
    text-align: center;
}
 
h1,
h2,
h3,
h4,
h5,
h6 {
    font-family: var(--head-font), sans-serif;
    font-weight: 800;
    color: #3b3b3b;
}
 
h1,
h2 {
    font-weight: 800;
}
 
.footnotes-footer .title {
    font-family: var(--head-font), sans-serif;
    color: #3b3b3b;
    font-weight: 800;
}
 
/* CONTENT > Rate Module */
 
#page-content .creditRate {
    margin: unset;
    font-family: var(--ui-font);
    float: unset !important;
}
 
#page-content .rate-box-with-credit-button {
    background-color: #fff;
    border: solid 1px #bbb;
    box-shadow: none;
    border-radius: 0;
}
 
#page-content .rate-box-with-credit-button .fa-info {
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    color: #333;
}
 
#page-content .rate-box-with-credit-button .fa-info:hover {
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    color: #fff;
}
 
.rate-box-with-credit-button .cancel {
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}
 
.page-rate-widget-box {
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    border: solid 1px #bbb;
    margin: unset;
    margin-bottom: 4px;
    border-radius: 0;
    font-family: var(--ui-font);
}
 
.page-rate-widget-box .rate-points {
    background-color: #fff !important;
    color: #333 !important;
    border: none !important;
    border-radius: 0;
}
 
.page-rate-widget-box .rateup,
.page-rate-widget-box .ratedown {
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    border-top: none;
    border-bottom: none;
}
 
.page-rate-widget-box .rateup a,
.page-rate-widget-box .ratedown a {
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    color: #333;
}
 
.page-rate-widget-box .rateup a:hover,
.page-rate-widget-box .ratedown a:hover {
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    color: #fff;
}
 
.page-rate-widget-box .cancel {
    background: #fff;
    border: none;
    border-radius: 0;
    display: inline-block;
}
 
.page-rate-widget-box .cancel a {
    color: #333;
}
 
.page-rate-widget-box .cancel a:hover {
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    color: #fff;
    border-radius: 0;
}
 
#page-content .rate-box-with-credit-button .page-rate-widget-box {
    border: none;
}
 
/* CONTENT > Rate Module > Author Label */
 
.authorlink-wrapper {
    --author-top-adjust: 0;
    --author-bottom-adjust: 0;
    --author-right-adjust: 0;
    font-family: var(--ui-font);
    font-size: var(--base-font-size);
}
 
/* CONTENT > Side Box */
 
.anchor {
    position: sticky;
    height: 0;
    top: 0;
}
 
.sidebox {
    padding: .14rem;
    margin-top: 0;
    margin-bottom: 8px;
    width: calc((100vw - 870px)/2);
    max-height: calc(100vh - 18rem);
    position: absolute;
    top: 0;
    left: 103.5%;
    z-index: 5;
    overflow: auto;
    box-sizing: border-box;
}
 
@media (max-width: 1290px) {
    .sidebox {
        display: none;
        visibility: hidden;
    }
}
 
/* CONTENT > Image Block */
 
.scp-image-block .scp-image-caption {
    background-color: #f4f4f4;
    color: #3b3b3b;
    border: solid 2px rgba(0, 0, 0, 0.1);
    margin-top: 10px;
    box-sizing: border-box;
    border-radius: 5px;
}
 
.scp-image-block {
    border: none;
    box-shadow: none;
}
 
.scp-image-block img {
    border: solid 2px rgba(0, 0, 0, 0.1);
    box-sizing: border-box;
}
 
.imagediv {
    float: right;
    margin: 15px
}
 
@media (max-width: 540px) {
    .imagediv {
        float: unset;
        text-align: center;
        margin: 1.3rem auto 1.3rem auto;
    }
}
 
@media only screen and (max-width: 600px) {
    .scp-image-block.block-right {
        float: none;
        margin: 10px auto;
    }
}
 
/* CONTENT > Tables Base */
 
#page-content tr th {
    padding: 6px;
    border: 2px solid rgba(0, 0, 0, 0.2);
}
 
#page-content tr td {
    padding: 12px;
    border: 2px solid #bfbfbf;
    line-height: 1.4;
}
 
#page-content .sidebox tr td,
#page-content .sidebox tr th {
    padding: 0.35em;
}
 
/* CONTENT > Tables Customization (Table Coloring System) */
 
/* CONTENT > Tables Customization (Table Coloring System) > Table Headings, Image Captions */
 
#page-content .table1 tr th,
#page-content .table1 .scp-image-block .scp-image-caption {
    background-color: #E0FFD4;
}
 
#page-content .table2 tr th,
#page-content .table2 .scp-image-block .scp-image-caption {
    background-color: #D8ECF4;
}
 
#page-content .table3 tr th,
#page-content .table3 .scp-image-block .scp-image-caption {
    background-color: #FDF6D7;
}
 
#page-content .table4 tr th,
#page-content .table4 .scp-image-block .scp-image-caption {
    background-color: #FFDFCD;
}
 
#page-content .table5 tr th,
#page-content .table5 .scp-image-block .scp-image-caption {
    background-color: #FFCFCF;
}
 
#page-content .table6 tr th,
#page-content .table6 .scp-image-block .scp-image-caption {
    background-color: rgba(146, 0, 255, 0.2);
}
 
.tableb .wiki-content-table {
    border-collapse: separate;
    border-spacing: 2px;
}
 
/* CONTENT > Tables Customization (Table Coloring System) > Other Colored Divs */
 
.table1 .blockquote,
.table1 div.blockquote,
.table1 blockquote,
.table1 .jotting,
.table1 .notation,
.table1 .modal,
.table1 .paper,
.blockquote.table1,
div.blockquote.table1,
.jotting.table1,
.notation.table1,
.modal.table1,
.paper.table1 {
    background: rgb(224, 255, 212);
}
 
.table2 .blockquote,
.table2 div.blockquote,
.table2 blockquote,
.table2 .jotting,
.table2 .notation,
.table2 .modal,
.table2 .paper,
.blockquote.table2,
div.blockquote.table2,
.jotting.table2,
.notation.table2,
.modal.table2,
.paper.table2 {
    background: rgb(226, 244, 255);
}
 
.table3 .blockquote,
.table3 div.blockquote,
.table3 blockquote,
.table3 .jotting,
.table3 .notation,
.table3 .modal,
.table3 .paper,
.blockquote.table3,
div.blockquote.table3,
.jotting.table3,
.notation.table3,
.modal.table3,
.paper.table3 {
    background: rgb(255, 245, 189);
}
 
.table4 .blockquote,
.table4 div.blockquote,
.table4 blockquote,
.table4 .jotting,
.table4 .notation,
.table4 .modal,
.table4 .paper,
.blockquote.table4,
div.blockquote.table4,
.jotting.table4,
.notation.table4,
.modal.table4,
.paper.table4 {
    background: rgb(255, 223, 205);
}
 
.table5 .blockquote,
.table5 div.blockquote,
.table5 blockquote,
.table5 .jotting,
.table5 .notation,
.table5 .modal,
.table5 .paper,
.blockquote.table5,
div.blockquote.table5,
.jotting.table5,
.notation.table5,
.modal.table5,
.paper.table5 {
    background: rgb(255, 207, 207);
}
 
.table6 .blockquote,
.table6 div.blockquote,
.table6 blockquote,
.table6 .jotting,
.table6 .notation,
.table6 .modal,
.table6 .paper,
.blockquote.table6,
div.blockquote.table6,
.jotting.table6,
.notation.table6,
.modal.table6,
.paper.table6 {
    background: rgb(255, 218, 255);
}
 
/* CONTENT > Tabs Base */
 
.yui-navset .yui-nav a,
.yui-navset .yui-navset-top .yui-nav a {
    background-color: inherit;
    background-image: inherit
}
 
.yui-navset .yui-nav a:hover,
.yui-navset .yui-nav a:focus {
    background: inherit;
    text-decoration: inherit
}
 
.yui-navset .yui-nav .selected a,
.yui-navset .yui-nav .selected a:focus,
.yui-navset .yui-nav .selected a:hover {
    color: inherit;
    background: inherit
}
 
.yui-navset .yui-nav,
.yui-navset .yui-navset-top .yui-nav {
    border-color: inherit
}
 
.yui-navset li {
    line-height: inherit
}
 
/* CONTENT > Tabs Customization */
 
.yui-navset .yui-nav,
.yui-navset .yui-navset-top .yui-nav {
    display: flex;
    flex-wrap: wrap;
    width: calc(100% - .125rem);
    margin: 0 auto;
    border-color: #333333;
    box-shadow: none;
}
 
.yui-navset .yui-nav a,
/* ---- Link Modifier ---- */
.yui-navset .yui-navset-top .yui-nav a {
    color: #333333;
    /* ---- Tab Background Colour | [UNSELECTED] ---- */
    background-color: #efefef;
    border: unset;
    box-shadow: none;
    box-shadow: none;
}
 
.yui-navset .yui-nav a:hover,
.yui-navset .yui-nav a:focus {
    color: #ffffff;
    /* ---- Tab Background Colour | [HOVER] ---- */
    background-color: #333333;
}
 
.yui-navset .yui-nav li,
/* ---- Listitem Modifier ---- */
.yui-navset .yui-navset-top .yui-nav li {
    position: relative;
    display: flex;
    flex-grow: 2;
    max-width: 100%;
    margin: 0;
    padding: 0;
    color: #ffffff;
    background-color: #ffffff;
    border-color: transparent;
    box-shadow: none;
}
 
.yui-navset .yui-nav li a,
.yui-navset-top .yui-nav li a,
.yui-navset-bottom .yui-nav li a {
    display: flex;
    align-items: center;
    justify-content: center;
    width: 100%;
}
 
.yui-navset .yui-nav li em {
    border: unset;
}
 
.yui-navset .yui-nav a em,
.yui-navset .yui-navset-top .yui-nav a em {
    padding: .35em .75em;
 
    text-overflow: ellipsis;
    overflow: hidden;
    white-space: nowrap;
}
 
.yui-navset .yui-nav .selected,
/* ---- Selection Modifier ---- */
.yui-navset .yui-navset-top .yui-nav .selected {
    flex-grow: 2;
    margin: 0;
    padding: 0;
    /* ---- Tab Background Colour | [SELECTED] ---- */
    background-color: #333333;
}
 
.yui-navset .yui-nav .selected a,
.yui-navset .yui-nav .selected a em {
    border: none;
}
 
.yui-navset .yui-nav .selected a {
    width: 100%;
    color: #ffffff;
}
 
.yui-navset .yui-nav .selected a:focus,
.yui-navset .yui-nav .selected a:active {
    color: #ffffff;
    background-color: #333333;
}
 
.yui-navset .yui-content {
    background-color: #ffffff;
    box-shadow: none;
}
 
.yui-navset .yui-content,
.yui-navset .yui-navset-top .yui-content {
    padding: .5em;
    border: 1px solid #333;
    box-sizing: border-box;
}
 
/* CONTENT > WORDS NO BROKEY. CROQ HAS SPOKEY. and other things */
 
span,
a {
    word-break: normal !important
}
 
.avatar-hover {
    display: none !important;
}
 
#main-content .page-tags span {
    max-width: 100%;
}
 
/* CONTENT > Dustjacket Assets */
 
.fancyhr hr {
    border-top: 2vw solid transparent;
    background-color: rgba(var(--bright-accent), 0);
    height: 0;
    box-sizing: border-box;
    border-image-source: url('https://wanderers-library.wikidot.com/local--files/component:dustjacket-theme/wl_hr.png');
    border-image-repeat: round round;
    background: none;
    border-image-slice: 80 500 80 500 fill;
    border-image-width: 10em 80em 10em 80em;
}
 
.fancyborder {
    box-sizing: border-box;
    border: 2vw solid rgba(0, 0, 0, 0.5);
    border-image: url('https://wanderers-library.wikidot.com/local--files/component:dustjacket-theme/wl_border.png') 600 round;
    border-image-width: 6;
    padding: 2vw;
}
 
/* CONTENT > Collapsibles */
 
#page-content a.collapsible-block-link:hover {
    text-decoration: underline;
    color: var(--link-txt-color);
}
 
#page-content a.collapsible-block-link:not(.licensebox a.collapsible-block-link, .info-container a.collapsible-block-link, .default-col a.collapsible-block-link) {
    text-decoration: none;
    font-weight: bold;
    color: white;
    padding-top: 4px;
    padding-bottom: 4px;
    padding-left: 7px;
    padding-right: 9px;
    background: rgb(var(--accent));
    border-radius: 6px;
    margin-top: 5px;
    font-family: var(--ui-font);
    font-size: var(--base-font-size);
    box-shadow: inset 0px 0px 0px 2px rgba(0, 0, 0, 0.4);
    transition-duration: 0.4s;
    display: inline-block;
 
}
 
#page-content a.collapsible-block-link:not(.licensebox a.collapsible-block-link, .info-container a.collapsible-block-link, .default-col a.collapsible-block-link):hover {
    background: rgba(var(--accent), 0.7);
    box-shadow: none;
}
 
/* CONTENT > ACS Adjustments */
 
.top-left-box>.item {
    display: none;
}
 
.anom-bar-container {
    margin-top: 1.1rem;
}
 
.anom-bar-container,
.anom-bar-container * {
    font-family: var(--ui-font), Inter, sans-serif !important;
}
 
.acs-extra-1,
.acs-extra-2,
.acs-extra-3,
.acs-extra-4 {
    font-family: var(--ui-font), Inter, sans-serif !important;
}
 
.anom-bar > .top-box {
    text-transform: none;
}
 
/* CONTENT > Woed Bar Adjustments */
 
div.scale div.item1>div {
    color: #333;
    font-family: var(--head-font);
    font-size: 1.4em;
    text-transform: uppercase;
    letter-spacing: 2px;
    line-height: unset;
}
 
div.scale div.class1>div {
    color: #333;
    font-family: var(--head-font);
    font-size: 2em;
    line-height: 0.9em;
    letter-spacing: 2px;
}
 
div.scale {
    --woedbar-class-bar-color: #333 !important;
}
 
div.scale div.obj {
    height: 1.7em;
}
 
div.scale div.obj>div {
    font-size: 1.55em;
}
 
/* MISC */
 
#page-content hr {
    height: 2px;
}
 
.bt {
    color: rgb(var(--accent));
    font-weight: bold;
}
 
#footer {
    background: transparent;
    color: #444;
    margin-top: 45px;
}
 
#footer a {
    color: #7b7b7b;
}
 
.footer-wikiwalk-nav {
    font-weight: 700;
    font-size: 88%;
    word-spacing: 5px;
}
 
#page-info-break {
    height: 10px;
}
 
#page-options-container {
    border-top: solid 1px rgba(213, 213, 213, 0.5);
    padding-top: 1rem;
}
 
.page-watch-options {
    padding-bottom: 0.6rem;
    font-size: 77%;
}
 
.page-options-bottom {
    display: flex;
    flex-direction: row;
    flex-wrap: wrap;
    align-content: center;
    justify-content: center;
}
 
.page-options-bottom a {
    margin: 3px;
    color: #FFF;
    background: rgb(var(--accent));
    padding: 5px 13px 5px 13px;
    text-decoration: none;
    font-size: 90%;
    border-bottom-left-radius: 4px;
    border-bottom-right-radius: 4px;
}
 
.page-options-bottom a:hover {
    background: rgba(var(--accent), 0.8);
}
 
#page-info-break {
    height: 6px;
}
 
#license-area {
    color: #5f5f5f;
    background: #ecf2f1;
    border-top: solid 2px #d9d9d9;
    margin-top: 10px;
}
 
#license-area a::after {
    content: ".";
}
 
@media (min-width: 768px) {
    #main-content .page-tags {
        padding-right: 16rem;
    }
}
 
#main-content div.page-tags::before {
    content: "tags   ";
    color: var(--misc-txt-color);
    font-family: var(--head-font);
    font-weight: 800;
    font-size: var(--page-font-size);
}
 
#main-content .page-tags a {
    display: inline-block;
    height: .8125rem;
    margin: 0 0 .5rem .75rem;
    padding: .1875rem .3125rem .1875rem 0;
    color: #FFF;
    background-color: rgb(var(--accent));
    border-bottom-right-radius: .25rem;
    border-top-right-radius: .25rem;
    line-height: 13px;
    line-height: .8125rem;
    font-size: calc(var(--page-font-size) - 10%);
    font-weight: bold;
}
 
#main-content .page-tags a::before {
    width: 0;
    height: 0;
    top: -.1875rem;
    left: -.625rem;
    padding: 0 .0625rem .1875rem;
    border-color: transparent rgb(var(--accent)) transparent transparent;
    border-style: solid;
    border-width: .5rem .5rem .5rem 0;
}
 
#main-content .page-tags a::before,
#main-content .page-tags a::after {
    content: "";
    position: relative;
    float: left;
}
 
#main-content .page-tags a::after {
    width: .25rem;
    height: .25rem;
    top: .2813rem;
    left: -.5rem;
    background-color: #FFF;
    border-radius: .125rem;
}
 
#main-content .page-tags span {
    max-width: 100%;
    border-top: .5rem solid transparent;
}
 
#page-tags-input {
    font-weight: bold;
    word-spacing: 8px;
}
 
#edit-page-form input.text {
    font-family: var(--head-font), sans-serif;
    font-weight: 800;
    font-size: 150% !important;
    padding: 4px;
}
 
#edit-page-form>table.form>tbody>tr>td:nth-child(1) {
    font-weight: bold;
}
 
.edit-help-34 {
    font-size: 85%;
    opacity: 60%;
    transition-duration: 0.3s;
    width: fit-content;
}
 
.edit-help-34:hover {
    opacity: 100%;
}
 
.edit-help-34 a {
    margin-right: 3px;
    margin-left: 10px;
}
 
table.edit-page-bottomtable {
    width: 100%;
}
 
#edit-page-comments {
    height: 86px;
}
 
#lock-info {
    background-color: transparent;
    margin: 0.8em;
    line-height: 1.7;
    font-size: 86%;
    border: none;
}
 
#lock-info::before {
    content: "!";
    padding-right: 12px;
    font-weight: bold;
    font-size: 110%;
    opacity: 60%;
}
 
#lock-timer {
    font-size: 115%;
    margin: 0 5px;
}
 
#lock-timer::before {
    content: "⏲ ";
    opacity: 80%;
}
 
textarea,
#edit-page-form input.text {
    outline: none;
    border: 1px solid #ccc;
    transition-duration: 0.3s;
    transition-property: box-shadow;
}
 
textarea:focus-visible,
#edit-page-form input.text:focus-visible {
    box-shadow: 0px 0px 0px 1px #a3a3a3;
    border: 1px solid #a3a3a3;
}
 
#action-area>p {
    font-size: 85%;
    color: darkslategrey;
}
 
#action-area>p:nth-child(5)>a {
    display: block;
    text-align: center;
    font-size: 120%;
    font-weight: bold;
}
 
#who-rated-page-area>div {
    column-count: 4;
}
 
@media (max-width: 900px) {
    #who-rated-page-area>div {
        column-count: 3;
    }
}
 
@media (max-width: 700px) {
    #who-rated-page-area>div {
        column-count: 2;
    }
}
 
@media (max-width: 540px) {
    #who-rated-page-area>div {
        column-count: 1;
    }
}
 
#page-content .content-warning.creditRate {
    padding-top: 8px;
    padding-right: 21px;
}
 
.preview-message {
    right: 0em;
    top: 2em;
    border: unset;
    padding: 1em 1.5em;
    background-color: rgba(0, 0, 0, 0.9);
    max-width: 29em;
    opacity: 1;
    z-index: 100;
    line-height: 1.7;
    filter: drop-shadow(0px 0px 4px rgba(0, 0, 0, 0.2));
    color: #EDEDED;
}
 
.error-block {
    background-color: rgba(255, 0, 48, 0.1);
    text-align: center;
    border: none;
    border-top: solid 3px #B00;
    border-top-left-radius: 6px;
    border-top-right-radius: 6px;
}
 
table.page-history tbody tr:nth-child(2n) {
    background: rgba(var(--accent), 0.05);
}
 
.owindow {
    animation: fade 0.5s;
}
 
@keyframes fade {
    0% {
        opacity: 0;
    }
 
    100% {
        opacity: 1;
    }
}
 
.owindow .button-bar a {
    border: solid 2px rgba(0, 0, 0, 0.1);
    margin: 11px;
    padding: 0.5em 2em;
    border-radius: 4px;
}
 
.owindow .button-bar a:hover {
    background-color: var(--link-txt-color);
    color: var(--link-hover-txt-color);
    border-radius: 0px;
}
 
.owindow .button-bar {
    padding: 1.2em 1em 1.2em;
}
 
.owindow .table {
    margin-bottom: 1.5rem;
}
 
.owindow .title {
    cursor: default;
    font-family: var(--head-font);
    font-weight: 800;
    font-size: 155%;
    text-align: center;
    padding: 0.5em 1em;
    border-bottom: solid 2px rgba(187, 187, 187, 0.4);
    background-color: #F7F7F7;
}
 
.owindow.owait .content {
    padding: 0.5em 0.5em 2em;
    background-image: none;
}
 
.owindow.owait .content::after {
    content: " ";
    display: block;
    width: 1.5rem;
    height: 1.5rem;
    margin: -0.9rem auto;
    margin-top: 1rem;
    animation: loading 1.2s linear infinite;
    border-top: 0.4rem solid grey;
    border-right: 0.4rem solid transparent;
    border-bottom: 0.4rem solid grey;
    border-left: 0.4rem solid transparent;
    border-radius: 50%;
}
 
@keyframes loading {
    0% {
        transform: rotate(0deg);
    }
 
    100% {
        transform: rotate(360deg);
    }
}
 
.owindow.osuccess {
    padding: 0.5em;
}
 
.owindow div.content:nth-child(2)>img:nth-child(1) {
    margin-right: 1.2rem;
    margin-top: 1rem;
}
 
.odialog-shader {
    background-color: #262a39;
}
 
.btn {
    transition-duration: 0.15s;
}
 
.btn:not(#main-content .btn, #search-top-box-form input[type="submit"]),
.btn.btn-primary,
div.buttons input,
input.button:not(#search-top-box-form input[type="submit"]) {
    padding: 0.5em;
    margin: 11px;
    border-radius: 3px;
    font-family: var(--ui-font);
    cursor: pointer;
}
 
#edit-cancel-button,
#edit-diff-button,
#edit-preview-button,
#edit-save-draft-button,
#edit-save-continue-button,
#edit-save-button {
    background: #fff;
    border: solid 1px #ccc;
    cursor: pointer;
    font-family: var(--ui-font);
    color: #333;
    padding: 0.5rem 14px;
    margin: 1px;
    font-size: 90%;
    border-radius: 3px;
}
 
#edit-cancel-button:hover,
#edit-diff-button:hover,
#edit-preview-button:hover,
#edit-save-draft-button:hover,
#edit-save-continue-button:hover,
#edit-save-button:hover {
    background-color: #eaeaea;
}
 
#edit-save-continue-button,
#edit-save-button {
    background: #dbffd6;
    transition-duration: 0.3s;
    color: #005a0a;
}
 
#edit-save-continue-button:hover,
#edit-save-button:hover {
    color: #fff;
    background: #0d951c;
}
 
#edit-cancel-button {
    background: #ffe1e1;
    transition-duration: 0.3s;
    color: #c52727;
}
 
#edit-cancel-button:hover {
    color: #fff;
    background: #c5272e;
}
 
table.page-history tbody tr {
    color: #757575;
}
 
.fncon {
    font-size: var(--page-font-size) !important;
    line-height: 1.4;
    border: 2px solid rgba(0, 0, 0, 0.2);
}
 
.fncon::before {
    font-size: var(--page-font-size) !important;
}
 
.hovertip {
    border: none !important;
    box-shadow: 0px 0px 4px rgba(0, 0, 0, 0.2);
    background: #FFF;
    padding: 3px;
    max-width: 400px;
}
 
input.checkbox,
.page-history input,
#h-perpage {
    cursor: pointer;
}
 
input,
textarea {
    font-family: var(--ui-font);
}
 
#breadcrumbs,
.pseudocrumbs {
    font-weight: bold;
    font-size: 110%;
    font-family: var(--ui-font);
}
 
/* ---- REDUCED MOTION ACCESSIBILITY ---- */
@media (prefers-reduced-motion: reduce) {
 
    *,
    *::before,
    *::after {
        animation-duration: .001s !important;
        animation-iteration-count: 1 !important;
        transition-duration: .001s !important;
    }
}
 
/* @MEDIA */
 
@media (max-width: 850px) {
 
    #header h2::before {
        font-size: 1.4em;
    }
 
}
 
@media (max-width: 700px) {
 
    #header h2::before {
        font-size: 1.2em;
        margin-top: 0.3rem;
    }
 
    #top-bar,
    #top-bar a {
        top: 8.8rem;
        font-size: 90%;
    }
 
}
 
@media (max-width: 620px) {
 
    #header h2::before {
        font-size: 1em;
        margin-top: 0.15rem;
    }
 
    #top-bar,
    #top-bar a {
        top: 8.3rem;
        font-size: 90%;
    }
 
    div#header {
        height: 123px;
    }
 
}
 
@media (max-width: 520px) {
 
    #header h2::before {
        line-height: 16px;
        margin-top: 0.5rem;
    }
 
    #top-bar,
    #top-bar a {
        top: 9.3rem;
    }
 
    div#header {
        height: 145px;
    }
 
}

NOTICE FROM THE FOUNDATION RECORDS AND INFORMATION SECURITY ADMINISTRATION

The following document was shared as part of an information exchange with the Sidhe Lounge in Esterberg, and depicts a heavily dramaticised version of the Fae myth. As such, the veracity of the accounts detailed within cannot be confirmed, and their relation to SCP-1233 is pending investigation. To take it as fact would be comparable to treating Homer's Odyssey as an accurate historical account.

— James Moore, Site-120's General RAISA Chairman

ACT 1, SCENE 1

SETTING: Empty stage. An illusory Earth the size of a car floats two meters off the ground, a faint emerald glow surrounding it. The Moon is visible in its orbit.

AT RISE: NARRATOR climbs aboard the stage, standing on the leftmost side. They face the crowd.

NARRATOR

In the reign of Queen Mab, legends were no different than reality. She dominated the world when every crevice brimmed with magic, when monsters and heroes clashed in the stars for all to see. Many a tale has been spun about this era; the tragedy of the Scarlet Fool, the slaying of the Inventor, and countless others told again and again until they are almost fact. Tonight, we bring you a tale seldom told…

(A second moon rises behind the Earth, moving in a larger orbit than the first. It is clearly covered in lush greenery and vast lakes.)

NARRATOR

Once, there were two moons in the sky. One was the white and barren wasteland we all know, but the other was almost a reflection of our own world. Queen Mab had coveted it ever since she first glimpsed it in the sky, that pearl of brilliant turquoise shining amidst the swirling stars. And when she had taken all that she could from Gaia, she knew it was finally time for her empire to take to the skies.

First, she sent an envoy to its people, the Adanei. A demand for tribute, an establishment of relations. She had never even seen the moon dwellers, but had played the game so many times that her moves came as naturally as breathing. Soon she would increase the demands under threat of war, sucking their little world dry until she could break them without effort.

(QUEEN MAB enters the stage from the right, wearing an exquisite white dress that trails behind her on the floor. A MESSENGER bursts into the stage from the left, out of breath.)

MESSENGER

My Queen! The Adanei have refused to deliver tribute. They say they'll "never bow down before a tyrant."

(Pure rage explodes on MAB’s face for an instant before she composes herself.)

MAB

Call my generals. We’ve got a world to burn.

ACT 1, SCENE 2

SETTING: An apportation circle encompasses the floor, and unintelligible orders can be heard in the background, blending into the orchestra. A battalion of YEREN SLAVE-SOLDIERS stand in formation. One is notably missing.

AT RISE: SAVION, a lean Yeren whose armor is clearly one size too big, rushes from the left of the stage to take his place in the circle. A FAE CAPTAIN in an ornate silver breastplate enters from the right. Spotlights turn on SAVION, and he addresses the audience as all actors freeze.

SAVION

I am nought but a household slave,
Cruelly dragged into Queen Mab’s war!
I do not know how to be brave,
What are we even fighting for?

(Spotlights rescind. The FAE CAPTAIN shouts harsh commands. The music crescendos.)

FAE CAPTAIN

Give your souls and blood for our queen,
Take the fight to the lunar fiends!
Light your torches and draw your blades,
Break their bodies and burn their glades!

(The apportation circle ignites and white light bathes the stage. As it dies down, the soldiers are gone, and the FAE CAPTAIN leaves the stage.)

ACT 1, SCENE 3

SETTING: A lunar grove, burned to a crisp. Charred skeletons of once proud trees surround a group of YEREN SOLDIERS as they take cover from a barrage of plant-bombs. Where they land, thorns spray out, felling a quarter of the squadron while the rest press themselves to the forest floor. SAVION is among them. The air is thick with smoke, and the crackling of flames can be heard from every direction.

AT RISE: THERAKH, a well-built Yeren warrior in platemail leaps through the trees, just as another plant-bomb is lobbed at the group. She lands next to the soldiers with her hands raised, and a yellow barrier blinks into existence around them, deflecting the attack. They look at her in awe.

THERAKH

Are you alright?

SAVION

You—you can do magic? Our Captain could have you executed!

THERAKH

Better not tell zir, then! Can you people move?

YEREN SOLDIER

Yes, but the bastards have us pinned. All this fire, and we’re still being bombarded every minute.

SAVION

If you can keep that barrier up, we might have a shot. What’s your name?

THERAKH

Therakh, fifth battalion. You?

SAVION

Savion. Thank you for saving all of our lives, Therakh.

(THERAKH helps the soldiers stand.)

THERAKH

You can lift a sword with those arms?

SAVION

Hey!

THERAKH

I’m simply surprised they conscripted you. Anyhow, pardon the phrasing but we’re not out of the woods yet. Come on, let’s move!

The soldiers move through the burnt forest, THERAKH’s barrier flashing intermittently as they are attacked.

ACT 1, SCENE 4

SETTING: SAVION and THERAKH are sitting around a campfire, joined by a few YEREN SOLDIERS. They are eating field rations, surrounded by war tents. The ground is covered in a thin layer of ash.

AT RISE: The SOLDIERS begin to sing. Orchestra begins to play.

YEREN SOLDIER

Ripped away from home
And thrown into the sky!
Tonight we’re still alive
Tomorrow we might die!

SAVION

Everything’s aflame
The flowers and the trees
Screams and smoke and ash
Drift along the breeze

THERAKH

My comrades in arms,
Pierced by blades of bark,
Only I remained,
Left them in the dark.

(Music enters a bridge.)

SAVION

Oh—I didn't know. I'm sorry.

THERAKH

Don’t be.

YEREN SOLDIER

Sent to fight a war,
As an afterthought,
Be thankful you still breathe,
‘Cause tomorrow you might not.

SAVION

Oh let there be peace,
So we might come back home,
I can’t bear this for long,
Fearful and alone.

THERAKH

On the battlefield,
You’re never on your own,
We’ll make it out alive,
And spit at Queen Mab’s throne!

SAVION

Careful! You could be hanged for treason—

THERAKH

Eh, Captain’s a while off. Besides, Ze’s got more important things to do than listen in on our every conversation.

SAVION

I suppose you're right. So, you’re fighting with us now?

THERAKH

Yep. Battalion got axed by the tree monsters, never saw ‘em coming. They’re merging what’s left with you folks to replace the twelfth company.

SAVION

I’m glad. That you’re with us, of course, not about… what happened.

THERAKH

I know, you’d have been dead in a few days otherwise.

SAVION

Hey, I can handle myself!

THERAKH

Sure you can.

ACT 1, SCENE 5

SETTING: Empty stage. An illusory moon hovers above the ground. It is burning.

AT RISE: NARRATOR enters the stage.

NARRATOR

In just a few weeks, the verdant moon became a wasteland of blackened earth, its forests razed to the ground by Mab’s fury. Victory seemed just over the horizon. But no surrender came. No white flags or treaties or pleas for a ceasefire. Then the reports began pouring in.

Encampments assaulted at night, the attackers seemingly coming from nowhere. Missing supplies and equipment, gone as if the earth swallowed them whole. Organic mines, poisonous thorns that rose from the dirt to eviscerate soldiers and generals alike. Requests for reinforcements were approved, but came with a royal warning. If they would not be able to bring the Adanei to heel, they would face the wrath of the Undoer herself.

ACT 1, SCENE 6

SETTING: A military encampment, the tents identical to those in SCENE 4. The ground is covered in a fine sheet of ash and dust.

AT RISE: The stage begins to shake, as if during an earthquake. THERAKH and SAVION burst into the stage from the right alongside a group of YEREN SOLDIERS.

SAVION

What–-what is this? What’s happening?

THERAKH

We need to get to cover–-

SAVION

What cover?! Everything is–-

(SAVION stumbles and falls to the ground. THERAKH stops running and rushes to his side. The YEREN SOLDIERS continue on, exiting from stage left.)

THERAKH

Come on! It’s not safe here!

(She begins to help him up, but the quake suddenly grows in strength and both of them lose their footing, falling prone. They shout in surprise and cover their heads as dust rains on the stage from above.)

(Several large boulders drop on stage, flattening the war tents. The ash on the ground disappears as plants begin to grow rapidly. Soon, the Yeren pair is surrounded by foliage on all sides. Gnarled trees reach to the ceiling, bearing fruit that glow brightly in shades of pink and orange. The floor is a bed of moss, flowers and tall grass, turquoise in color. The sun is not visible - the hanging fruits are the only source of illumination.)

(They have been dragged down from hell and into paradise.)

END OF ACT 1

ACT 2, SCENE 1

SETTING: A lush cavern filled with dense foliage, see ACT 1 SCENE 7.

AT RISE: THERAKH and SAVION stand up, dusting themselves off, and begin to explore the cave.

SAVION

Did we… fall? Are we beneath the camp?

THERAKH

Looks like it. This must be where they’ve been attacking us from. Stars above, it’s beautiful. To think, this is what we’ve destroyed…

SAVION

Yes. It’s untouched. We should see where this tunnel leads.

(THERAKH picks a round, pink fruit from a tree. Its glow diminishes as she takes a bite.)

SAVION

Wait! What if they’re–-

THERAKH

Absolutely delicious?

SAVION

(Sighs) Nevermind.

(THERAKH begins to laugh.)

THERAKH

Oh I can’t believe this! We’re free! Finally free!

(Music begins, upbeat and jovial.)

THERAKH

I never expected for it to be like this,
But this is an opportunity I just can’t miss!
Liberty handed to me on a platter,
No orders to follow, no masters to flatter!

Because we’re free, finally free!
As free as we could ever be!
Free, utterly free!
From abject pain and misery,
From brutal, toiling slavery,
Free, totally free!

(As she sings, THERAKH dances in the glade, cupping water that flows from a small stream in the rocky wall. Ribbons of yellow light linger in the air behind her. She drinks and turns to SAVION.)

THERAKH

Savion? What’s wrong? Don’t you see?
We could stay here together, you and me!

(Music slows, growing more somber.)

SAVION

No, I’m sorry, I simply can’t,
Live amongst these alien plants,
This isn’t my home, we’re trapped underground,
And it will not be long until we are found,

By Luna or Mab, by wood or by steel,
We’ll be chained again and forced to kneel,
This isn’t Eden, nor is this hell,
It’s just another prison cell!

(Music grows faster and more intense. THERAKH and SAVION sing simultaneously.)

THERAKH

I won’t have to hide my magic no more,
Dying in someone else’s war,

SAVION

Staying here, it’s just not right,
I miss the warmth of true sunlight,

THERAKH

If we were just to work together,
We could survive here forever,

SAVION

The wind flowing through my hair,
My lungs filling with fresh air,

(Music reaches a crescendo. SAVION sings alone.)

SAVION

No! I’m certain, without a doubt,
I have to find my own way out,
Out of this prison, this false paradise,

Through fire and blood, I know I might die,
For this last chance to see blue skies,
But that is freedom, and it will suffice.

(Music ends.)

THERAKH

So that’s it? You’ve made up your mind?

SAVION

Yes. This is goodbye.

THERAKH

No! I’ll come with you.

SAVION

You don’t have to.

THERAKH

I…

SAVION

What?

THERAKH

I don’t want to be left alone. Not again.

SAVION

Oh.

THERAKH

Plus, you–- neither of us will survive out here on our own. Best to go together.

(SAVION nods, and the two exit from stage right.)

ACT 2, SCENE 2

SETTING: Same as previous scene.

AT RISE: SAVION and THERAKH enter from stage left. They walk slowly in a circular path around the stage. The flora gradually changes as they walk, to imitate travel through the tunnels.

THERAKH

So, what’s the plan? You’re the leader now.

SAVION

I was hoping this tunnel would lead us upwards, but it looks like this is not the case.

THERAKH

Well, we never did find any entrances up above…

SAVION

True. But no one had fallen below before we did, either.

THERAKH

What now, then?

SAVION

I–-I’m not sure. We can’t be the only ones to have been swallowed by the earth. Surely we’ll find someone from the army eventually.

THERAKH

More likely we’ll find eviscerated corpses.

SAVION

It’s the only chance we have.

THERAKH

Hmph.

(The two pause next to a small stream, filling their waterskins and cleaning their fur. SAVION takes out a small sack and eats a handful of glowing berries.)

SAVION

We should stop and make camp, I think. We’ve been walking for hours.

THERAKH

And still no-one in sight. How do the moon monsters even navigate this place?

SAVION

I wish I knew. Stars willing, we’ll have more luck tomorrow. I'll take first watch?

THERAKH

Sure, I could use the rest. Be careful. And wake me up if anything's wrong.

(THERAKH lies down to sleep while SAVION sits down, leaning against a tree trunk. Spotlights dim, shrouding the stage in darkness.)

ACT 2, SCENE 3

SETTING: Same as previous scene. Spotlights bathe the stage in dim red light. THERAKH is still sleeping.

AT RISE: An ADANEI WARRIOR enters slowly from stage left. They are a tall, humanoid being seemingly made of wood, with four arms and a crown of branches extending like antlers from their head. SAVION appears not to notice them as they creep on the pair.

(SAVION yawns. The ADANEI leaps forwards, thick, thorned vines sprouting from their arms. SAVION jumps to his feet and attempts to draw his sword, but isn’t quick enough. The ADANEI grabs him by the neck while the vines ensnare his arms and legs, drawing blood. The creature whispers.)

ADANEI

One word and I’ll snap your neck, invader.

(SAVION grits his teeth. His body becomes more muscular, though he does not notice this. The ADANEI leans in.)

ADANEI

Now, I’m going to ask you some questions. Blink once for yes, two for–-

(SAVION slams his forehead into the ADANEI’s face, staggering them. His arm breaks free of the vines and he draws his blade, slashing desperately in a wide arc. The ADANEI leaps back, but their arm is caught in the strike and falls to the ground. SAVION is almost as large as THERAKH now, and he charges his foe.)

SAVION

RAAAAAAAAAGH!

(The ADANEI brings their arms up to defend, but the Yeren’s blade cuts through them with ease. THERAKH wakes up and leaps to her feet, drawing her own weapon, but finds that SAVION has already pierced the attacker’s chest with his sword. His newfound strength deflates as she rushes over, hands glowing with yellow light.)

THERAKH

By the–- Are you alright?

(SAVION is out of breath.)

SAVION

Yes, I’m… I’m fine. I killed it.

(He draws his sword out of the arboreal corpse. Scarlet blood drips from it. He wipes the blade on a nearby bush and sheathes it before examining his arms. THERAKH looks him over.)

THERAKH

Was this… your first kill?

(Short silence.)

SAVION

Yes.

THERAKH

Ah. I’m sorry.

(She raises a hand, as if to put it on his shoulder, but he pulls away.)

SAVION

We should get going. Before others come looking for it.

(He walks quickly, exiting from stage right. THERAKH quickly follows.)

ACT 2, SCENE 4

SETTING: THERAKH and SAVION are camping in the underground wilderness, clearly in a different location. SAVION is asleep while THERAKH keeps watch.

AT RISE: THERAKH sings to herself softly.

THERAKH

What was that I saw there? That flash of power?
For just a moment I could have sworn,
That the gentle spirit I’ve come to known,
Had hardened into something awful.

War twists and bends us all like metal,
This I have known since the very start,
But now it forges something in his heart,
And I am afraid.

(Therakh lies down to rest. SAVION rises to keep his own watch. He examines his body.)

SAVION

What was that I felt there? That burst of strength?
I had never felt anything like it before,
Could it be that these bloody months of war,
Have finally forged me into something greater?

Am I finally becoming a soldier?
At last, someone I can be proud of?
Or was it a gift from the stars above,
Guiding me to them?

SAVION

Oh, to see the starry sky again…

(He closes his eyes sleepily. His ears grow slightly, perking up. Red flowers bloom around his feet. He does not notice.)

ACT 2, SCENE 5

SETTING: A lunar cavern nearly identical to previous scenes.

AT RISE: SAVION and THERAKH enter from stage left. Smoke slowly creeps into the stage from stage right.

THERAKH

What? No! The wood’s just armor. Beneath it they bleed like anyone else.

SAVION

What about the arms then? Those don’t bleed at all! It’s as if they were a tree branch.

THERAKH

Just extensions. Like… I don’t know, pauldrons or capes. Only more useful.

SAVION

Yes, but–- wait. I smell something.

THERAKH

Huh? I don't—

SAVION

Fire. The army’s here, we’ve made it!

(SAVION breaks into a sprint, charging out of stage right. THERAKH follows him. Spotlights transition to bright orange as illusory flames appear onstage, engulfing the foliage.)

(Intense music begins to play. From stage left enter a number of YEREN SOLDIERS led by a familiar FAE CAPTAIN, zir armor dented and damaged. The group is engaged in brutal combat with an equal number of ADANEI WARRIORS.)

(Fighting continues with both sides sustaining heavy losses. Eventually, only the CAPTAIN and two ADANEI are left standing. Ze is backed into a corner as the two advance, sharpened limbs poised to strike. Zir stance is unstable, holding zir sword with shaking hands. Blood drips from zir forehead.)

(SAVION enters running from stage left. His body grows more muscular as he draws his blade and drives it into the back of one of the ADANEI. Flowers bloom beneath him.)

(The second WARRIOR twists around to face SAVION as THERAKH enters the stage as well. She runs in to help him, but he wins the duel just as she reaches him. The FAE CAPTAIN looks at them in surprise, still gripping zir weapon.)

FAE CAPTAIN

Well, well, well, if it isn’t the deserters. You know the penalty for treason is death.

(SAVION rips his sword out of the dead ADANEI and sheathes it.)

THERAKH

You are in no position to punish us now, worm.

(Yellow sparks dance across her fingertips.)

THERAKH

In fact, I think I’ll be the one carrying out the sen–-

(THERAKH yelps as SAVION shoves her to the side violently, falling to the floor. SAVION kneels before his CAPTAIN.)

SAVION

Please, we are not deserters. We were separated during the fiends’ attack, and have been attempting to rejoin with the rest of the army ever since. Please pardon us, Captain.

(The CAPTAIN’s eyes widen in surprise before zir face twists in a smile. Ze looks at THERAKH, who’s struggling to rise, still in shock.)

FAE CAPTAIN

Very well, I shall forgive this affront, if you will serve. Now kneel.

(She glances at SAVION, confusion and betrayal evident on her face. For a moment her whole body is tense, as if preparing to attack. The she relaxes her muscles, breathes deeply and bends the knee.)

FAE CAPTAIN

And it’s General now. You’d do well to remember that.

END OF ACT 2

ACT 3, SCENE 1

SETTING: An underground military encampment. The floor is covered in ash and the surrounding flora is burnt to a crisp. On the right side of the stage is a tent larger than the others, its fourth wall absent for the audience. Inside this command tent is a small table, around which sit the FAE GENERAL, a FAE CAPTAIN and a FAE COLONEL.

AT RISE: SAVION enters from stage left. He sits on the ground a few meters away from the command tent, as if to rest. His ears visibly elongate as the FAE begin to speak.

FAE GENERAL

Well?

FAE CAPTAIN

We’re making progress, General, but the soldiers are exhausted and so are we. It doesn’t help that we’re forced to burn every source of food we come across–-

FAE GENERAL

Might I remind you they are slaves, Captain? Keep the food for yourselves. Our Queen demands results, and she’s seen precious little of that in the last few weeks.

FAE COLONEL

At this rate, she’ll have nothing to rule over but a charred husk, General! Surely we can’t be expected to–-

FAE GENERAL

You are expected to follow the Queen’s orders. If that is her wish, so it shall be. Have there been any news from deeper below? Terms from the monsters, perhaps?

FAE CAPTAIN

None, I’m afraid. They’re stubborn creatures.

FAE COLONEL

They’re fighting for their lives while our soldiers are fighting for a Queen who barely knows they exist!

FAE GENERAL

Watch your tongue.

FAE COLONEL

With all due respect General, troop morale is in the dirt for a reason. We can’t win a war like this.

FAE GENERAL

And what do you propose, exactly? Because to me, it sounds like you’re spreading propaganda for the enemy.

FAE COLONEL

Take my head if you’d like, but that won’t change a thing. We must either hunker down for a war of attrition or find a way to destroy their chain of command. Otherwise, we’re all as good as dead.

(The FAE stop talking. The spotlights shift to SAVION, drenching the command tent in darkness. THERAKH enters from stage left and walks up to him.)

THERAKH

What are you doing?

SAVION

Listening.

THERAKH

To what?

SAVION

To our leaders. If they will not share the state of the war with us, then I must learn the truth myself.

THERAKH

What are you talking about, how can you–-

SAVION

Shhhh!

THERAKH

Savion, please. Just talk to me. You haven’t been acting like yourself.

(He does not reply. The CAPTAIN and the COLONEL leave the war tent and walk past them, exiting from stage left.)

SAVION

Like myself? People change, Therakh. I’m a soldier now, like you! I thought you would understand.

THERAKH

It’s not that, I’m glad you’ve gotten good with a sword, it’s just… I don’t even understand how, and you’ve grown so cold–-

SAVION

How? I’ve been given a gift.

(His body bulks up and he stands to his full height. THERAKH instinctively stands up as well. He is slightly taller than her now.)

SAVION

Control over my own body, and my own destiny.

(A seedling pushes out of the ash next to SAVION’s foot. He crouches down and caresses it, watching as it grows faster in response. It blooms with red.)

SAVION

Now, I’m going to make myself into someone who matters.

(He turns away and enters the command tent, disappearing in the dark. THERAKH buries her face in her hands.)

ACT 3, SCENE 2

SETTING: An underground military encampment. Wounded YEREN SOLDIERS huddle together around small campfires. On the left side of the stage, a tent has been erected around a large tree. The wall facing the audience is absent, revealing an ADANEI PRISONER chained to the tree. The wood that covers their skin is split and cut in several places, and they have only one pair of arms.

AT RISE: SAVION enters from stage right, moving quickly through the camp. He stops at the entrance to the tent, where a YEREN GUARD stands.

YEREN GUARD

Halt!

SAVION

I’ve permission from the General.

(He shows the guard a piece of parchment. The GUARD nods, and he steps inside. The rest of the stage goes dark as the spotlights focus on the prisoner tent.)

SAVION

I heard you were being uncooperative.

PRISONER

Do your worst. We will not yield.

(SAVION reaches out and grips their chest, nails digging into the wood. The spotlights turn a bright green, and music begins to play.)

SAVION

Listen close now and listen hard,
I can warp your body like I can my own,
Tell me where your leaders are,
Or I’ll show you pain you’ve never known.

PRISONER

Your rage betrays your own weakness,
I’ve seen friends die by your flames,
And even facing such bleakness,
Our garden will grow again.

SAVION

I will break you!

(The PRISONER screams as the wood tears and sloughs off their body, revealing a slim figure beneath with pale green skin. SAVION’s fingers draw bright red blood as they sink deeper into their chest. Music intensifies as a giant, illusory tree manifests at the center of the stage, pulsing with green light.)

SAVION

AGH! My eyes! My mind!
What is this?

PRISONER

You are running out of time,
Bear witness.

SAVION

Everything… it's all connected,
It's the heart.

PRISONER

Yes, it has kept us protected,
From the start.

(Music dies down as SAVION lets go of the ADANEI PRISONER and stumbles backwards, clutching his head and groaning in pain. The illusion fades from the stage. The PRISONER coughs blood.)

SAVION

I'm part of it now too, aren't I?

PRISONER

Yes, though I know not why,

SAVION

I can see it now, in my mind's eye,

PRISONER

I've given you it all, please let me die,

SAVION

Right at the center, so far below,
I'll rip it out and return a hero!

(SAVION leaves the tent, the spotlights following him outside. The FAE GENERAL stands at the center of the stage, dismissing an officer as ze sees SAVION.)

FAE GENERAL

Well?

SAVION

It broke. Told me exactly where we need to strike. This war will be over in a week.

FAE GENERAL

Excellent. I will be expecting you at the command tent at first light. I’m promoting you to Lieutenant.

SAVION

You honor me, General.

FAE GENERAL

You’ve proven yourself efficient. I want you leading the vanguard. High Command must stay behind lines for now; coordinating troop movements throughout hundreds of tunnels is no easy task, I'm afraid.

SAVION

Of course.

FAE GENERAL

Good hunting, Lieutenant. You are dismissed.

SAVION

Yes, General.

(SAVION salutes and exits through stage right. The FAE GENERAL exits through stage left.)

ACT 3, SCENE 3

SETTING: A military encampment in a lunar cavern. YEREN SOLDIERS mill about, dismantling tents and sparring with one another. Mab’s forces are mobilizing.

AT RISE: SAVION enters from stage right, directing the SOLDIERS in various tasks. THERAKH enters from stage left and approaches him.

THERAKH

So, Lieutenant, huh?

SAVION

I am your superior officer and you will address me as such.

(There is a short pause.)

THERAKH

Yes, Lieutenant. May I ask a question?

SAVION

Speak freely.

THERAKH

Are you behind the screams I heard last night?

(SAVION does not respond.)

THERAKH

Did you torture him, Savion?

SAVION

I know it must be difficult for you to accept this, Therakh, but I am no longer the frightened weakling you took into your care.

THERAKH

This isn’t about that! Did you or did you not?!

SAVION

It was the only way.

(THERAKH grabs him by the shoulders.)

THERAKH

The only way for what?!

(He jerks away and kicks her in the stomach. She staggers back, but holds her ground.)

SAVION

Don’t touch me!

(THERAKH meets his gaze, pain blossoming in her eyes.)

THERAKH

Why?

SAVION

I could have your head for that, you know.

(Her expression turns from sadness to anger. She spits at his feet.)

THERAKH

Be my guest.

(She turns away and leaves, exiting through stage left. SAVION walks slowly towards stage right, muttering to himself.)

SAVION

You don’t need her. You don’t need her anymore. You’re strong now! You don’t! We have to win. We have to go home. She’ll understand. Yes, she will. When all is said and done she’ll see it. She has to.

(He exits through stage right.)

ACT 3, SCENE 4

SETTING: A lunar cavern, burnt to a crisp. A thick layer of ash covers the floor. In the center of the stage is a tall pile of corpses, Adanei and Yeren alike. More bodies litter the stage. A group of YEREN SOLDIERS, THERAKH among them, is currently at work adding them to the pile.

AT RISE: SAVION enters from stage right, dragging the bodies of two large Adanei soldiers. His fur is stained with blood. He hurls them at the pile with force.

SAVION

Burn them when you're done. The wood makes for excellent kindling.

(He exits through stage right. The SOLDIERS continue their work for a moment, before one of them comes up to THERAKH.)

YEREN SOLDIER

Hey, you're Therakh right? From the fifth?

THERAKH

Yes. Are you–-

YEREN SOLDIER

Vareden. You saved my life, up on the surface a few months ago.

THERAKH

Oh! Right. It was nothing. Just duty.

(THERAKH sits on a rock to rest. VAREDEN joins her.)

VAREDEN

Duty? You don’t seem like the type.

THERAKH

Ha, not that type of duty. I couldn't care less about this pointless campaign.

VAREDEN

They say we're close to victory. Close to going home.

THERAKH

As if that matters. We're slaves either way, here or there.

VAREDEN

You never know what the future holds.

(THERAKH doesn’t respond for a moment.)

THERAKH

I can't believe I gave it all up. My one chance to be free… of all of this.

VAREDEN

Gave up for what?

THERAKH

Love.

VAREDEN

That sounds like a worthy goal.

THERAKH

I thought so too, at the time. It… didn’t work out. It was foolish.

VAREDEN

I don’t think it’s foolish to pursue your dreams.

THERAKH

And what if that dream turns into a nightmare?

(VAREDEN doesn’t respond. The two watch in silence as the YEREN SOLDIERS pile up the rest of the bodies. One of them attempts to light a fire with flint and steel, but the sparks don’t catch.)

(After a few moments, THERAKH stands up and walks over to them, glancing over her shoulder.)

THERAKH

He lied. There’s too much blood for the wood to catch. Here.

(She reaches out her palm. Golden flames leap from her fingers, engulfing the nearest corpse. Slowly, they begin to spread to the others. THERAKH sits back down.)

THERAKH

Won’t be long before we’ll be the ones burning.

VAREDEN

Like I said, you never know what tomorrow will bring. We’ll make it out alive.

(Soft, somber music begins to play. THERAKH sings slowly.)

THERAKH

Ashes to ashes, dust to dust,
Burned it all, thought I could trust,
This world is cruel and nothing is just,
It’s hard to go on but I know that I must.

ACT 3, SCENE 5

SETTING: A lunar cavern. Thick, dark smoke curls from the sides of the stage.

AT RISE: SAVION enters from stage left, followed by a large contingent of YEREN SOLDIERS, among them THERAKH and VAREDEN. SAVION addresses his troops.

SAVION

Soldiers! The final hour is at hand. I have carefully selected each and every one of you to lead the assault. We are the vanguard that shall break through their last line of defense, a force that shall crush any barricade the wooden demons can raise. Up ahead is the World Tree, the beating heart that grants these beasts their power. Today, we set it aflame. Tomorrow, we return home with honor and glory.

(He draws his sword, lifting it up high. The SOLDIERS remain silent, their faces hard.)

SAVION

For the Queen! Charge!

(The contingent charges across the stage, exiting through stage right. The sound of crackling flames intensifies and smoke billows from the floor, covering the stage as the set transitions to the next scene.)

ACT 3, SCENE 6

SETTING: A lunar battlefield. A wooden barricade covered in thorns stands at the center, behind which stand ADANEI WARRIORS, wooden limbs long and sharp like spears. More WARRIORS stand on tall trees, some gripping plant bombs while others ready bows fashioned from their own bodies. They are all staring dead ahead at the left side of the stage.

AT RISE: SAVION’s contingent comes charging in through stage left. He screams a command.

SAVION

Forward! Break them!

(A hail of projectiles comes raining down on the YEREN SOLDIERS. Sharpened wooden arrows pierce their armor and impale their flesh, while the bombs spray poisoned thorns in all directions. Half of the group falls before THERAKH raises a barrier of golden energy with a roar.)

THERAKH

Go go go!

(She stands with her arms raised high, clearly struggling to hold the shield as the bombardment continues. SAVION, muscles rippling, leaps above the thorny barrier with his blade drawn, instantly beheading an ADANEI behind it. His soldiers follow suit, but many fall to the defenders’ spears before they can cross the threshold.)

(The ADANEI WARRIORS in the trees abandon their posts and jump down as one. THERAKH shouts as her barrier is shattered by their weight, and they lunge at her.)

THERAKH

Help!

(She rolls away, narrowly escaping their arm-blades. They press the attack, outnumbering her five to one. In a panic, she parries, blocks and dodges each of their strikes, rapidly losing ground as she draws towards the wall.)

(One of the ADANEI screeches as a giant battleaxe slams into their back, sending them to the ground. Two of the remaining four turn to face the attacker while the other two remain focused on THERAKH.)

VAREDEN

I’ve got you, fight!

(THERAKH’s eyes burst with light as one of her attackers is flung backward violently. She charges the other, overpowering them while VAREDEN holds off the other two. On the other side of the stage, SAVION’s hulking form tears through the Adanei ranks, throwing their bodies on the barricades.)

(VAREDEN finds an opening and crushes a ADANEI’s head with his axe. The move leaves him open, however, and a spear of dark wood skewers his chest. He groans in pain as THERAKH rushes over to fend off the attacker, sword burning with golden fire. Seeing the flames, they flee, and THERAKH crouches next to VAREDEN.)

THERAKH

No no no, stay with me, stay with me!

VAREDEN

I’m–-I’m fine.

(She ignores him, hands glowing as they press against the wound.)

THERAKH

Come-on-come-on-come-on!

(The light flickers. VAREDEN gasps, blood flowing from his mouth.)

VAREDEN

I’ve paid my debt.

(His eyes close. A terrible, bestial screech rips through the air, clearly sourced from the right side of the stage. There is a quake, then another and another. Something big is drawing close. On the other side of the barricade, few remain standing. SAVION and a handful of YEREN SOLDIERS freeze at the sound.)

SAVION

Stand your ground! We will not retreat!

(His troops do not obey, scrambling backwards to where THERAKH is standing. SAVION follows them unwillingly, still facing stage right.)

ACT 3, SCENE 7

SETTING: Same as the previous scene. Yeren and Adanei corpses litter the floor. The grass is stained a deep red.

AT RISE: YEREN REINFORCEMENTS arrive through stage left. SAVION stands at the head of the party, with THERAKH not far behind. The contingency watches in terror as an ADANEI WAR BEAST emerges from stage right. It is a colossal, reptilian-like creature with scales of tree bark. Each of its six legs is twice the size of a Yeren, and large spines rise from its back. A crown of razor-sharp branches adorn its head, upon which four eyes burn with hate. It roars.

SAVION

Forward! For the Queen!

(SAVION pours every inch of authority into his voice as he charges forward at the BEAST. To his surprise, his soldiers follow suit.)

SAVION

Spread out! Surround it and attack together! We strike as one!

(The BEAST leaps forward in a stunning display of speed, crashing into the approaching horde. SOLDIERS are flung into the air, others crushed beneath its feet. THERAKH finds herself beneath its belly as its massive jaws devour a YEREN whole. She grips her sword, sets it aflame once more, and drives it into the underside of the BEAST. It screams and shudders before grabbing THERAKH with a giant claw and raising her to the air. In a moment, she will be slammed into the earth, and die.)

(SAVION's troops are faltering. Only one in every five is still fighting. One is about to be crushed under the BEAST's foot, another frozen in fear as it opens its maw again. SAVION seizes the opportunity and leaps, sword raised high.)

(He crashes into the BEAST’s forehead with force, shattering its crown into splinters. His weapon tears through the thick wooden hide, carving the soft flesh underneath. The WAR BEAST dies with a whimper.)

(THERAKH dies with a scream.)

THERAKH

Savion!

ACT 3, SCENE 8

SETTING: The World Tree dominates the stage. Only half of it is visible, the rest seemingly placed backstage. SAVION stands before it, sword in hand. He is covered in blood, and his body is the same as it was when he first arrived on this world, short and scrawny. He is alone.

AT RISE: The World Tree’s bark shifts, molding itself into a roughly humanoid shape that detaches itself from the trunk. This SPIRIT looks at SAVION with glowing green eyes.

SAVION

You’re it, right? The heart?

WORLD SPIRIT

You know what I am. I showed you.

SAVION

I’ve come to kill you.

WORLD SPIRIT

I know. You believe it will set you free. I cannot stop you. I have done everything I could, and I have failed.

SAVION

Then why… why did you choose me? Why give me the power to destroy you?

WORLD SPIRIT

You were not chosen.

SAVION

Wh—What?

WORLD SPIRIT

An accident. When my child drove their claws into your flesh the day you were ambushed, they poured a part of them into you. A part of them that pulsed with power. The part of them that was me. The part of me that’s in all of them.

SAVION

But–-but the vision! You showed me the way to you! You brought me here!

WORLD SPIRIT

I tried to make you see! But you were blind and a fool. You saw only what you wanted to, what fit your own fantasies of heroism and glory.

SAVION

See what, then?! What was I supposed to see?!

WORLD SPIRIT

That I am this world. That every leaf, petal, branch and blade of grass is part of me, and that my roots run the whole world over. That what you in your arrogance call victory will end everything.

SAVION

No.

WORLD SPIRIT

To kill me is to kill this world. It will collapse in on itself and crumble to dust. And you will die.

SAVION

No!

(SAVION falls to his knees, leaning on his sword as it sinks in the earth. He weeps.)

SAVION

You lie!

WORLD SPIRIT

You know I do not.

SAVION

I sacrificed everything for this. My freedom, my honor, even her! This can’t be the end. No, this is a trick, some last-ditch effort to save yourself. And it won’t work.

(He stands up shakily and stumbles forward, gripping his weapon with both hands.)

WORLD SPIRIT

You do not believe that.

(SAVION is inches away from the SPIRIT now. He raises the blade at its chest.)

SAVION

It doesn’t matter, does it?

(The SPIRIT simply looks him in the eyes. He stabs its heart. The world shakes.)

(The stage is plunged into darkness. When the spotlights turn on again, it is empty, apart from a thin sheet of dust that lingers in the air, slowly drifting down to the floor. The NARRATOR enters from stage left and addresses the crowd.)

NARRATOR

And so, that charred husk of a world finally broke, returning to stardust. It is said that pieces of its spirit fell down to the Earth, sowing it with the seeds of a power that would be used to topple an empire. But the history of biomancy is a story for another time.

Some say that Savion is still alive, still stalking the stars in search of those he called monsters. They claim that the eons had driven him mad, that he heralds himself as a Champion of an empire which has laid dead for millennia.

I, for one, hope he found rest.

END OF ACT 3

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