Central Narrative: A festival is held in a small Pagan worshipping town for the Greek Goddess of love 'Aphrodite', which is suddenly crashed in the middle of its gorgeous festivities by an anomalous man with the name 'Isaac'. Isaac proceeds to make a scene, drunkenly and loudly yelling about how their gods and beliefs are bullsh*t, cursing out his good for nothing son, and urinating on the statues and throwing bottles of wine.
As the town attempts to subdue him, things get weirder with people melting into puddles, a man turns into a centaur, harpies that act like chickens start running amok, and fun upbeat music fills the air. As this happens, foundation agents embedded in the town (to watch for a potential person of interest) are blind sighted by this scene and attempt to bring things under control.
After the chaos dies down, the god is found in an alleyway passed out with his pants around his ankles.
When in custody, several interviews are held with some magical hostility as the god slowly reveals more about himself. He reveals that once upon a time, he was Aphrodite. But as time went on, he built himself into a new body with a new name that he felt more comfortable in. Even so, the world, the other gods, and even his children still call him Aphrodite, goddess of love, and mother. He eventually breaks down crying and claims he doesn't know who he's supposed to be.
The article ends with the interviewer calling him Isaac, and asking if he would like to speak with a Foundation appointed Gender Specialist in exchange for cooperation, and he agrees.
