First, as others have said, the balancing between the 3 choices was handled poorly. It's okay if there is one "correct" choice, but I don't think it should be so obvious even before clicking. The protagonist tells us the one he recommends but says it's classified? You'd have to be incredibly genre-blind to miss that billboard in its blazing glory. And I'm not actually sure I agree that SETFREE would've failed like that.
I've decided against doing any significant revisions (which is what I want to do for the section that presents the three choices; it was one of my least favorite sections to write) until the contest is over. It feels wrong changing what one brought to the table right now.
e: A word on SETFREE; when creating the bad ending, I just took some cues from SCP-3001 and ran with those. So that is where the elements of SETFREE come from.
I need to be able to get into the head of the protagonist in order to properly enjoy.
Characters is something I'm trying to get better at.
I like pataphysics, when I can wrap my head around it, and you managed to do something like that.
Thank you for this complement, as it was a challenge to do!
Like the protagonist, I have noticed the incredible unlikelihood of my existence, and sometimes jokingly congratulate myself on managing to be born and, furthermore, surviving into my twenties. Ha.
I've heard that one has a 1:idk how many trillions chance of existing. While I think there is some baloney with that calculation, luck is a blessing in this universe (which is the moral of the story).
Thank you for your comment!